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Adweek's ad of the day today gives a new perspective on periods. Check out this first national TV spot for Thinx, directed by Biscuit's Rachel McDonald, here.

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IndieWire goes behind the scenes of 'Ad Astra' to learn how the Method Studios VFX team created the thrilling lunar rover chase sequence. Click here to get the scoop.

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We're finally recovered from a whirlwind trip to Amsterdam for IBC! Visit our Facebook page to see all the highlights, including the AJA press breakfast, AWS Elemental press conference, 4K 4Charity fun run, and the IBC Awards.

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Jon Favreau's 'The Lion King' is a box office smash. Click here to learn about how OptiTrack's motion capture technology helped the team at Magnopus facilitate the virtual production on this groundbreaking film.

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Biscuit's Andreas Nilsson shows off Guy Fieri's refined side in this fun new spot for Uber Eats! Check it out on Campaign as their ad of the week.

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We had a phenomenal week at SIGGRAPH 2019! Thanks to all of our friends and clients for their great energy. Visit the RazPR Facebook page to see some photo highlights!

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Congrats to our friends at Light Field Lab on their $28M Series A round! Read more about their holographic display technology and the new investment at VentureBeat.

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Congratulations to John Likens, Wesley Ebelhar, Arisu Kashiwagi, and the whole Method Studios team for receiving an Emmy nomination in main title design for their work on Cinemax’s Warrior!

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Have you called the Hot Praise Hotline yet? Click here to go behind the scenes of this year’s cheeky Shots Awards campaign directed by Biscuit’s Daniel Warwick.

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‘Stranger Things’ mania is in full force! m ss ng p eces celebrated the new season with a mysterious alternate reality game - which can only be played with 1980s technology. Find out more about it at Adweek.

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Variety’s Emmys preview takes a look at the art of title design, speaking with Method Studios creative director John Likens about how they re-imagined the iconic titles of The Twilight Zone for a new era. Read the story here.

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The new issue of VFX Voice dives into what it takes to visualize the ever-expanding DC Television Universe. Check out their chat here with Encore ECD and VFX Supervisor Armen Kevorkian about creating eye-popping VFX for shows like The Flash, Supergirl, Doom Patrol, Titans, Black Lightning, and Batwoman.

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AWS Ground Station has landed! The new service helps customers control satellites from AWS and download data from satellites into AWS Global Infrastructure Regions, using a fully managed network of ground station antennas located around the world. Read more at GeekWire.

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If you’ve watched season 2 of Netflix’s ‘The OA,’ you’ll definitely recall the scene with the telepathic octopus. See how Method Studios brought the creature to life in this engrossing VFX breakdown video and article on io9.

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VFX Voice takes a deep dive on cloud-based VFX workflows with AWS Thinkbox’s Will McDonald. Check out his insights here.

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AJA Video recently helped Harvard overhaul its live production sports broadcast workflow. The university now uses HELO, U-TAP, and Ki Pro Ultra for live streaming broadcasts to ESPN+, NESN, and the Ivy League global streaming platform. Read more in Sports Video Group here.

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Big news from our friends at Broadsign: they’ve acquired Ayuda to streamline the management, sale, and delivery of digital out of home content through one single solutions provider. Visit Adweek to learn more.

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Congrats to our friends at Biscuit Filmworks for another year on the Ad Age Production Company A-List! Read up on their standout work from the past year here.

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Tech Emmys, machine learning, 8K, HDR, all things cloud, streaming, virtual production, a 4K charity fun run, and catching up with friends from all corners of the globe - all in all an excellent NAB 2019! Check out our Facebook album for pics!

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