What does a next-gen creative studio look like? For starters, it probably won't use much physical hardware. AWS product manager Jay Maglione shares his thoughts on the topic in AWN, including how 2020 has changed content creation workflows, and the cloud's growing role in VFX and animation. Click here to read.
We're awed by the brilliant VFX from Mathematic in this new spot "Match Point" for Lacoste. Check out more details about the work at Muse by Clio.
The Hollywood Reporter highlights Unreal Engine's role in virtual production, which is on the rise in film and TV, especially as Hollywood seeks new ways to keep productions on track. Read the story here.
We're excited to see Amazon Interactive Video Service (IVS) from AWS now available! IVS uses the video technology behind Twitch and makes it easy to host interactive livestreams on websites and apps. Read more about it from Engadget.
The New York Times shares a sneak peek at Tender Claws' latest project: live, interactive, remote performances of Shakespeare's 'The Tempest' in VR! Daily showtimes begin today for Oculus users. Read the Times' impressions here.
Visit Production Hub for a thoughtful interview with Shotgun Software's GM Sarah Hodges, discussing the worldwide shift to working from home and what Shotgun is doing to support its staff and clients alike.
Team RazPR is glad to support the 4K4Charity event, even from afar! Thanks to our family members and pets for keeping us company on our runs!
fxguide explores the benefits of virtual workstations in this industry roundtable with experts from AWS, NVIDIA, and Teradici. Check it out here!
VFX studio Rocket Science relies on Shotgun to handle production management and easily scale teams as the studio keeps up with the ever-growing demands for episodic TV VFX. Get a firsthand look at how Shotgun helps their facility in this story on AWN.