• Need something to binge-watch over the holidays? Look no further than new Netflix series Wormwood, from Biscuit director Errol Morris. The Daily Beast calls it “a genre-bending true-crime masterpiece.”

    December 17, 2017


  • We had a great time seeing clients and friends at the annual AICP holiday party! Cheers to a fabulous holiday season and new year.

    December 15, 2017


  • Conductor Technologies’ Kevin Bailie shares insights on how studios can optimize render costs via the cloud. Check it out in CG Society.

    December 14, 2017


  • In Broadcast Magazine, Epic Games’ Marc Petit shares insights on how real time game engines are enhancing production and enabling interactive storytelling.

    December 13, 2017


  • Supersphere and George Romero’s Image Ten have signed an agreement to bring the world of Night of the Living Dead to VR in 2018, to coincide with the film’s 50th anniversary. Read more about it in Variety.

    December 6, 2017


  • Encore’s VFX Supervisor Armen Kevorkian talks to Variety about creating feature-quality VFX every week for TV on shows like The Flash, Supergirl, and Legends of Tomorrow. Read more here.

    November 30, 2017


  • The Hollywood Reporter sat down with Method Studios’ VFX supervisor Erik de Boer to learn more about how they brought Okja to life. Read the details here.

    November 28, 2017


  • fxguide takes a deep dive into the character work on Marvel’s Thor: Ragnarok, including Method Studios’ creation of Surtur. Read more here.

    November 22, 2017


  • Biscuit’s Isaiah Seret directed this stunning music video/short film for alt-J, inspired by the book How Green Was My Valley. Read more about the project on NPR.

    November 21, 2017


  • Congrats to Pixvana on announcing their $14M Series A funding round today! Read about the news and Pixvana’s goals for mixed reality storytelling in VentureBeat.

    November 20, 2017